Colourlab Ai vs MIST
Colourlab Ai
colourlab.aiMIST
marquise-tech.comSide by side
| Figure | Colourlab Ai | MIST |
|---|---|---|
| Price from | $10.75/mo | — |
| Free plan | Yes | — |
| Free trial | Yes | — |
| Open source | — | — |
| Windows | Yes | Yes |
| macOS | Yes | — |
| Linux | Yes | — |
| Plans published | 10 | 2 |
| Spec score · Video Color Grading Software | 8.3 (#6) | 6.7 (#20) |
| Headquarters | Los Angeles, California, United States | Nyon, Switzerland |
| Purpose | Colourlab describes itself as AI technology for real-time color grading, look design, and film emulation. | MIST is a mastering and distribution solution for creating deliverables for digital cinema, broadcast, and OTT, from RAW data to DCP or IMF. |
Plans
Colourlab Ai
- Colourlab AI 4 Public BetaFree
- Creator$14 a month
- Pro$39 a month
- Studio$49 a month
- Creator$129 a year
- Creator$259, paid once
- Pro$299 a year
- Studio$499 a year
- Pro$599, paid once
- Studio$999, paid once
In their own words
Colourlab Ai
Colourlab Ai is software for real-time color grading, look design, and film emulation. Its Balance feature sets exposure, white balance, and contrast as a neutral baseline, while Match with SMH adjusts shadows, midtones, and highlights separately. Styles carry grading instructions across related shots, and AI look search returns ranked results from a library based on a written description. Colourlab AI 4 says its matching, analysis, and looks run locally on Mac rather than in the cloud. It connects with DaVinci Resolve, Premiere Pro, Final Cut Pro, and Avid Media Composer through OpenTimelineIO; the homepage also lists support for more than 40 camera brands. The maker says Colourlab metadata sits above the image file and does not permanently change it. A free public beta requires an Apple Silicon Mac. Creator is $14.00 per month, and the 7-day free trial does not require credit card details. Plans also include Pro at $39.00 per month and Studio at $49.00 per month.
MIST
MIST is a paid Windows mastering and distribution solution from Marquise Technologies for turning camera RAW and dailies into deliverables for digital cinema, broadcast, and OTT. Its workflow includes color grading, editing, conforming, mastering, and quality control. Supported deliverable types include DCP, DCDM, IMF, AS-11, AS-02, and Dolby Mezzanine. Color features include mixed color spaces on one timeline, direct XYZ output, raw-parameter management, and ACES 1.2 workflows. Listed HDR formats are Dolby Vision, HDR10, HDR10+, HLG, and Dolby Cinema. Audio workflows cover Dolby Atmos theater, DTS-X, and ADM, including master creation and QC. QC tools provide image and audio scopes, EBU R128 loudness measurement, soundfield management, and PDF or XML reports. MIST supports NDI playout and capture and SMPTE ST-2110 through video I/O boards. It can automate Netflix IMF, GAM, and NAM naming, file organization, manifests, and sidecars, and offload rendering to another local or cloud server. Windows 11 64-bit is required; two matching GPUs are required for GPU JPEG2000 decoding.