CineLog
cinelog.com
What it is
CineLog is filmmaking project-management software for organizing scripts, schedules, cast and crew, locations, and call sheets. Script breakdown supports project preparation, while stripboard scheduling provides a scheduling view. Cast and crew tracking and location management keep those production details together. CineLog runs on Android, iOS, macOS, web, and Windows. Its Free plan costs nothing, billed monthly, and allows one active project, 50 MB of media storage, and up to two collaborators. Filmmaker costs $15 a month, billed monthly, with up to three active projects, 3 GB of storage, and 20 collaborators. Production Company costs $40 a month for up to 10 projects, 20 GB, and 50 collaborators. Studio costs $90 a month for up to 30 projects, 60 GB, and 100 collaborators. These tiers scale project, storage, and collaboration allowances.
Plans and prices
Strong points and limits
Strong points
- Script breakdown support
- Stripboard scheduling view
- Cast and crew tracking
- Location management
- Runs on five listed platforms
Limits
- Free plan allows one active project
- Free storage is limited to 50 MB
Who it suits
CineLog suits filmmakers and production teams coordinating scripts, schedules, people, locations, and call sheets. The available platforms support teams working across desktop, mobile, and web.
CineLog in depth
Read the full write-up
CineLog is a production-planning service for filmmakers who need script breakdown, scheduling, and crew coordination in the same workspace. It suits solo producers and production teams working across phones, computers, and browsers. The deciding question is how quickly a project will outgrow its storage, project, or collaborator allowance.
Overview
CineLog combines script breakdown with stripboard scheduling, cast and crew tracking, location management, and call-sheet support. That mix addresses the practical chain from script preparation through organizing people, places, and daily communications. It is a stronger fit for coordinated productions than for someone seeking only a scheduling board. The service does not establish a broader editing or budgeting environment, so teams needing those functions should not choose it on the planning features alone.
Key features
Breakdown and scheduling
Script breakdown helps turn a screenplay into production information, while the stripboard view gives teams a visual way to arrange the shooting schedule. Having both in one service can avoid splitting core planning between separate applications. The feature combination is most useful when several collaborators need to work from the same production plan.
Production coordination
Cast and crew tracking keeps the people side of a production with the schedule. Location management adds the places and logistical context, and call-sheet support covers a key communication task. Together these tools make CineLog relevant to productions that must coordinate personnel, locations, and schedule changes rather than simply draft a list of scenes.
Pricing
CineLog is freemium and its priced plans bill monthly. The Free plan costs nothing, with one active project, 50 MB of media storage, and up to two collaborators. That is suitable for a personal project, early planning, or a very small team, but 50 MB leaves little room for media-heavy work.
Filmmaker costs $15 a month and raises capacity to three active projects, 3 GB of media storage, and 20 collaborators. It is the sensible entry tier for an independent filmmaker or small crew that has outgrown the free allowance. Production Company costs $40 a month for up to 10 active projects, 20 GB of storage, and 50 collaborators, matching a busier slate and a substantially larger working group.
Studio costs $90 a month and supports up to 30 active projects, 60 GB of media storage, and 100 collaborators. That scale suits an organization managing many simultaneous productions. Enterprise has custom pricing and removes the stated project and collaborator ceilings with unlimited projects, custom media storage, and unlimited collaborators. All paid tiers are billed monthly, so the main trade-off is predictable recurring cost against progressively larger operating limits.
Platforms
CineLog runs on Android, iOS, macOS, Windows, and the web. That broad coverage is useful for teams moving between desktop planning, mobile access on production days, and browser-based collaboration without committing everyone to one operating system.
Who it's for
Choose CineLog for a filmmaker or production team that wants breakdown, stripboard scheduling, people and location tracking, and call sheets together. The Free plan is for one small, low-storage project; Filmmaker fits an independent crew; Production Company and Studio are aimed at organizations with multiple active productions and larger collaborator groups. Enterprise is the option when standard project, storage, and seat limits no longer fit. Look elsewhere if your priority is a full post-production or financial-management suite, since those capabilities are not part of CineLog's stated feature set.
Pros and cons
Pro: Script breakdown and stripboard scheduling cover two central planning tasks in one service.
Pro: Cast and crew tracking, location management, and call sheets extend the workflow beyond scheduling alone.
Pro: Android, iOS, macOS, Windows, and web support accommodates mixed-device teams.
Con: The free plan allows only one active project, 50 MB of media, and two collaborators, making it a limited long-term workspace.
Con: Monthly cost rises from 15.00 USD to 90.00 USD as project, storage, and collaborator requirements grow.
Con: Enterprise pricing is custom, so the largest deployments cannot be budgeted from a published rate.
Alternatives
For a wider comparison, see Film Production Scheduling Software.
Gorilla Scheduling is the better choice when macOS, Windows, or web access and a free trial matter, especially if you need its paid collaboration, reports, exports, fringes, and integrated Ratebook options.
Studiovity suits teams wanting a freemium tool across Android, iOS, macOS, Windows, and web, with a dedicated PRO tier for content creation and film-TV pre-production.
PreProducer is worth choosing when a one-time project booking and unlimited project staff are more important than CineLog's recurring, multi-project tiers.
Filmustage is preferable for web-only workflows that specifically want AI-assisted breakdown, including a free tier limited to 20% of scenes and a 55.00 USD monthly Director's Cut plan.
Production Slate fits smaller mobile-and-web productions whose needs center on tightly defined project, crew, shoot-day, call-sheet, and attachment limits.
StudioBinder is an alternative web service with a free trial and a free tier built around one project and capped production elements.
Slatefox is an option for web users comparing paid plans that include script breakdown at €19 a month for Indie.
Dramatify is for teams willing to pay annually and meet a minimum-seat requirement for production-focused plans.
Verdict
Choose CineLog if you want one cross-platform workspace for breakdown, stripboard scheduling, crew and location coordination, and call sheets, with capacity that can grow from a two-person free project to an enterprise deployment. Its main advantage is the coherent planning workflow; its main reason to look elsewhere is the free tier's very small storage and collaborator allowance, followed by rising monthly prices as your production slate expands.
Verdict
CineLog brings named production-planning tasks into one service, with plans sized by projects, storage, and collaborators. The free tier is small, while paid tiers raise those limits progressively.
Where Specifiction places it
- Film Production Scheduling Software#17 of 247.8